Sacred Texts

Rudrastadhyayi

~~OM~~

    Uvach in Rudri

  1. There is no "Uvach" in the Rudri. Most of the scriptures progress/teach through a conversation between God/Goddess and a devotee, Rishi, Vyasa, etc. Could you please explain why no particular Rishi is associated with its realization?

    The Rudrastadhyayi is Vedic. The Puranic scriptures occur in story form, but Vedas are hymns of praise.

  2. Purusha Suktam

  3. I am trying to learn the Purusha Suktam and found that there are at least 2 versions -- the one in the Rudri has 22 verses and the second line of the first verse is "sa bhumim sarva tasprtvaa". The one in the Advanced Shiva Puja has 16 verses only and the second line of the first verse is "sa bhumim vishvatovrtva." Are they derived from different sources? Are there several Purusha Suktams?

    Yes, there are several and many versions of each. Primarily there is one from Rig Veda and one from Yajur Veda. Then there is Chapter Two of Rudrasthadhyayi. They all have a different number of shlokas, as well as many changes in the grammar.

  4. Rudra Chandi

  5. I want to know more about Rudra Chandi and her slokas. It is understood that Rudra Yamalam contains one short sloka on Rudra Chandi and her powerful protection.

    Rudra Chandi is a synthesis of Shiva Shakti. The two are one and cannot be separated.

  6. Please advice what is Rudra Chandi? Is it similar to the Chandi Path? Is it a book?

    It is not a book. She is a Goddess, like Shiva-Shakti. It is a tradition of combining Rudrastadhyayi with Chandi Path.

  7. Is it (Rudra Chandi) same like Ardhanari or Srilalitha Mahakalisa Natha? Are there any specific slokas to recite to invoke her divine grace.

    In our tradition we read the entire Chandi Path and the entire Rudrashtadhyayi in one asana.

  8. Harih Om

  9. "Harih Om" in the Rudri is translated as "Praise to Om". Is Harih Om different from the "standard" greeting "Hari Om" or are they the same thing.

    Same word, different case ending. It means Vishnu, it means praise, it means the gross body - subtle body - and causal bodies.

  10. Which single chapter to recite

  11. If one cannot recite the entire text of Rudrashtadhayi then which one specific chapter is appropriate to recite?

    Chapters 5 and 8 are known independently as the Rudri. You can recite them both.

  12. Chamakam

  13. Could you please let us know the significance of the Chamakam?

    Me is both genitive and locative case. I love the Chamakam because it describes the entire creation within me (locative case) as the conception coming from yajna, even more then the remembrance of my various qualities (genitive case).

  14. Can you please let me know the significance to calling out the numbers in Chamakam - Eka ca me .... and goes on with a whole list of numbers.

    He is everywhere in every thing.

Submitted by webdev on Thu, 2007-09-27 16:49.

Guru Gita

~~OM~~

    Message of the Guru Gita

  1. The repetitive message in the Bhagavad Gita is "Serve God, Serve God, Serve God!" In the Chandi Path the repetitive message is "Take one asan and chant the Chandi, Take one asan and chant the Chandi, Take one asan and chant the Chandi. The question: What is the repetitive message in the Guru Gita?

    na guroradhikam | na guroradhikam | na guroradhikam ||

    There is nothing greater than the Guru! There is nothing greater than the Guru! There is nothing greater than the Guru!

  2. Guru Gita Dhyanam

  3. Is the Dhyanam referring to the guru tattwa when it says, ".. perceives all existence and resides in infinite bodies?" Or does that refer to Shiva, and the latter part refer to the guru tattwa, as a manifestation, or perhaps an activity of Shiva,when it says, "Meditate upon the syllables Gu Ru .."

    Shiva is the Guru of all Gurus, and therefore they are one and the same. He is the Guru, and all other gurus are links in a chain which bring devotees to the Guru of all Gurus.

    The Guru Tattva is Shiva.

  4. Guru Gita and Skanda Purana

  5. I understand that Puranas are the expansion of hymns from the Vedas. Can you please let me know the Vedic hymn that the Guru Gita is expanding on?

    The one word mantra - Guru.

  6. Krom Kilakam

  7. In the viniyoga of the Guru Gita KROM is the pin. What does krom mean?

    ‘Ka’ is the Cause, ‘Ra’ is the mind, ‘O’ is the energy of the subtle sound,’M’ is perfection.

  8. Guru Gita Verse 1

  9. In the Guru Gita, verse 1, it says Parvati asked of the Cause of Peace (Shiva). Does the name Shiva mean Cause of Peace or is 'Cause of Peace' one of the names of Lord Shiva?

    Shankara has been translated as Cause of Peace: Shan - peace, kara cause. It is a name of Shiva.

  10. Guru Gita Verse 2

  11. Goddess Parvati asks for initiation of the Guru ? Does this line mean "Who is a Guru" or "Can you initiate me?"

    Actually it is: "Guru diksham pradehi me." Please bestow upon me initiation of the Guru. The means teaching, bhava, energy, the mantras, mudras, kriyas, intellectual understanding along with intuitive feeling. Who is the Guru? What is the Guru? Where? How? Why? When?

  12. Guru Gita Verse 4

  13. Verse 4 says, "never before anyone has asked of it." Does this mean that Goddess Parvati is the first disciple of Lord Shiva?

    Yes. Here Shiva is Nirakara and Parvati is Sakara.

  14. Guru Gita Verse 5

  15. In Verse 5 of the Guru Gita, refer to three worlds. Are they 1) deva 2) human 3) asura or 1)gross 2) subtle 3) causal or something else entirely?

    1) gross 2) subtle 3) causal

  16. Guru Gita Verse 7

  17. This verse says, "Those people who perform sacrifices, yagyas, sacred vows, purifying austerities, tapasya, offering gifts, recitation of mantras (japa), sacred pilgrimages, in the absence of understanding the principle of Guru, perform like fools." What is it about guru tattwa that must be known in order not to perform like a fool?

    That all of these acts are undertaken as a privilege to demonstrate devotion to the Supreme Divinity, to the Supreme One who Illuminates the Darkness through the various forms of His and Her Light.

  18. Guru Gita Verse 11

  19. Verse 11 states "From the selfless loving service at the feet of the respected Guru, the soul is purified from all sin. I am telling you of that objective of grace by which one is merged in Brahma (SupremeDivinity)." I understand "From .... all sin." But the line, "I am telling.... Divinity" is not clear to me. Can you please clarify what is meant by "objective of grace"?

    What kind of Grace are we seeking? The objective of grace (kripa) do and get, is what we hope to get from our doing, namely, to become merged in Brahma (Supreme Divinity).

  20. Guru Gita Verse 14

  21. Verse 14 says "Whoever drinks the water from the Guru's feet removes the root of ignorance and purifies the karma (activities) from birth, obtains perfection, wisdom, and renunciation". The word "purifies the karma" brought this question to my mind. I have read elsewhere that the Guru actually takes on the karma of a disciple. Is this true? Can you please shed some light on this subject. Thank you for your time

    Does not a wife share the karma of her husband? And vice versa? When we are in a relationship, we cannot help but sharing our karmas together. In the same way, in relationship with a Guru, we give our karma to the Guru. Often this karma has effect upon the guru instead of upon us.

  22. Guru Gita Verse 18

  23. Please help us understand the phrase, "the attitude of none other than the Guru." Do you see the Guru as providing everything in your life - the circumstances, the provisions, the challenges, the victories, the relationships, the motivation, etc?

    Absolutely. The Guru is not only a physical being. The Guru is the reflection of divinity through a human body, the example we want to follow, and the inspiration which gives us the energy to proceed.

  24. Guru Gita Verse 19

  25. Verse 19 of the Guru Gita says "The Supreme Divinity resides in the mouth of the Guru, which is obtained as prasad." Can you please help me understand this line better? This line seems to say that following the instruction of a Guru which is obtained only with grace, leads one to Supreme Divinity. Please let me know your thoughts.

    That is one interpretation. Another is that the wisdom spoken by the Guru actually emanates from the Supreme Divinity, and when the guru speaks, God speaks, and that wisdom should be regarded as prasad.

  26. Guru Gita Verse 25

  27. Can you tell us a bit more about "Ha Ha" and "Hu Hu" - the two famous celestial beings that appear in verse 25 of the Guru Gita?

    They are Gandarvas. Just say their names and you can't help from smiling!

  28. Guru Gita Verse 26

  29. It says, in verse 26 to offer to the Guru "a seat, a bed, cloth, ornaments, conveyance" Is there is any special significance to these items?

    As much as we take over the responsibilities of worldly life from the Guru, so much are we permitted to witness the example of someone moving forward on the spiritual path.

  30. Guru Gita Verse 32

  31. Verse 32 of the Guru Gita states "Gurubrahma guruvisnurgururdevo mahesvarah Gurureva parabrahma tasmai srigurave namah" Guru is Brahma, the Guru is Visnu, the Guru is Lord Maheswara. The Guru is actually the Supreme Divinity and therefore we bow down to the respected Guru. Therefore what does this mantra mean then: "gurubrahma guruvisnur gururdevo mahesvarah gurursakshat parabrahma tasmai srigurave namah"

    The Guru is actually the Supreme Divinity...

  32. Guru Gita Verse 45

    Verse 45 reads "...various colors, white and red..." What is the significance of these two colors in this verse?

    White is consciousness and red is nature.

  33. Guru Gita Verse 52

  34. Verse 52 of the Guru Gita states, "We bow to the circle which surrounds the Guru, to the Supreme Lord, our Guru and the three other Gurus (Param, Parapara, Paramesthi), to Ganapati, to the three places of worship of bhairava (the gross body, subtle body and causal bodies), to the number of attained beings, to the three children, to the two feet, to the order of ambassadors to the circle, to the heroes sixteen, sixty four and nine, to the five heroes that sacrificed, to the respected makers of garlands, by means of the king of mantras, the Guru Gita. Who are the three children?

    The three children represent all the threes (kamakala) who have just been born into the harmony of our devotion because of our bowing.

  35. Who are the heroes 16, 64, and 9?

    The heroes are all those who help in our search for purity, clarity and perfection. 16 is Shorasi - the 16 lettered mantra. 64 are the yoginis. 9 refers to the Durgas.

  36. Who is refered to by Param, Parapara and Paramesthi?

    Param is the Guru's Guru.

    Parapara is the lineage of Gurus.

    Paramesthi is the supreme Guru or the first Guru.

  37. Why are the 5 heroes sacrificed?

    The 5 heroes that sacrificed are the senses which stopped looking outward.

    Guru Gita Verse 63-64

  38. As I read the Guru Gita, I perceive that Shiva is speaking in third person about the Guru through much of the text. Then in verses 63–64 there is a change to first person. How am I to understand these verses, as Shiva blissfully expressing attributes of the universal Guru? As my own soul singing out in reflection of the Guru?

    As both. I am Shiva. I am the Guru. The Guru is both outside and inside.

  39. Guru Gita Verse 92

  40. Verse 92 talks about meditation of guru at lotus of the heart whereas verse 95 talks about meditating on the guru in the lotus of the head. Which is the ideal place (head or heart) and time to meditate on Guru (verse 95 seems to say in the morning) I was under the impression heart for ishta devata and Gurudeva in the lotus of the sahasra on the crown of the head?

    Meditate on either place. There is no difference between Guru Deva and Ishta Deva.

  41. Guru Gita Verse 95

  42. Can you please direct us what is the "divine name" referred to in verse 95 of the Guru Gita? We are thinking GuRu or Om Namah Shivaya.

    Both are correct. It also refers to the Guru's name and the mantra that you took from the Guru as well.

  43. Guru Gita Verse 99

  44. Verse 99 says "By means of the path of the intuitive vision of the Guru, the mind should be made pure. The impermanent and other divisions should not be a bondage to the soul." What does the "path of the intuitive vision of the Guru" mean? Does it mean, by following the Guru's words, since he has the path of intuitive vision, we become pure? Or is there a different interpretation? Also can we say that everything except sadhana comes under "impermanent and other divisions"?

    Certainly when the Guru gives instructions he or she is exercising the path of intuitive vision. This is true by words and example. When we follow that example or instruction, we become pure.

    Definitely everything except sadhana is impermanent or divisive. But then again, when we are truly devotees, there is nothing but sadhana.

  45. Guru Gita Verse 100

  46. Verse 100 says, "Let the mind be filled with the intrinsic nature of all that is knowable. Realize wisdom is one with that which is knowable. Other than this there is not a second path." How does one fill one's mind with the intrinsic nature of all that is knowable? And what does "realize wisdom is one with that which is knowable" mean? Surely it should be "realize wisdom is one with the INTRINSIC nature of all that is knowable"? Can you please help me to understand?

    All that is knowable is the reflection of divinity. That understanding is wisdom. The intrinsic nature of all that is knowable is Love.

  47. Guru Gita Verse 101

  48. Is there any special interpretation of the sun and the moon in Guru Gita verse 101?

    In this verse it means for an eternity. Why? Because when we cast aspersions upon our example of perfection, it is no longer perfect. If we have no ideal of perfection, how can we strive to improve? Of course, without striving to improve, there is no dharma, etc., and the ignorance and attachment persists.

  49. Guru Gita Verse 102

  50. Verse 102 of Guru Gita says, "So long as the body may remain, remember your Guru as a worshipful God. Do not give up on the Guru, even if he moves according to his own rhythm." I am curious about the reference to "the body" in this verse. In this case there are two people involved, the reader and the guru. So whose body is being referred to here (perhaps both)? How does the relationship change when one of them drops the body(especially the Guru).

    I use this verse to apply to both. When the Guru leaves his or her body, we no longer have an external example to follow. We are required to rely on memory. That can be very difficult because of the tendency to remember things as we want to, and not necessarily as they were.

  51. Guru Gita Verse 106

  52. Verse 106 says, "Without energy are the Gods and others, without energy are the munis as well. Because of a curse by the Guru, they may quickly become exhausted. Of this there is not a doubt." I am unable to understand how the Gods and Munis are without energy. Also I would like to know how this helps a human sadhak to understand the value of a Guru. Can you please throw some light on this verse?

    It says that if the Guru were to curse them, even the Gods and munis are powerless. The Guru has greater influence than even the Gods or munis.

  53. Guru Gita Verse 110-115

  54. In the context of verses 110-115, who is the "full, complete and perfect conscious being (Purusa)", who we are to meditate upon as the size of a thumb within the heart? I ask because in verse 91 we are told that in the lotus of the heart situated at its very center upon a throne, the divine murti or image is established.

    That is It is with form and It is beyond form. It is great and It is small.

  55. Guru Gita Verse 58 and 114

  56. Verse 58 of the Guru Gita says, "Ham and Sah are side by side ... in the middle of which the Guru is remembered." From verse 114, one can infer that there is no remembering after the ajna because one becomes mindless. Can Ham and Sah be the feet of Guru and the middle that point in the crown where the heart's vibrations are felt?

    If you look at the tilak for Ram, there are two marks, in the middle of which is red: the two feet of Ram are Consciousness, while in the center the red mark of Nature. Here they are saying the Guru is Consciousness and Nature, and also beyond all manifestation.

  57. Guru Gita Verse 115

  58. Verse 115 says, "Listen as I speak of that full, complete, and perfect conscious being (Purusa), which is meditated upon as the size of a thumb within the heart, where he gives rise to an attitude of awareness (Bhava)." Why is the subject of this verse purusha, rather than atman (how is purusha full, complete and perfect)?

    ‘Puru’ means full, complete, and perfect and ‘isha’ means consciousness. Purusha means full, complete, perfect consciousness or conscious being. Purusha is the atma of the universe.

  59. Guru Gita Verse 119-122

  60. There are four successive verses mentioning pinda, pada, and rupa (119-122). This is a lot of reinforcement of this idea. Pinda, pada, and rupa are gross, outward actions that the author is using to describe a very subtle, or inward, process. Why? My thought is that these are meant to bring to mind all of the outward activities we perform that are our gurupuja, of which, this awakening is the "prasad of grace." But then he goes on to say very clearly that we are "liberated in" each of these three, seperately. I do not understand this. Why not 'liberated through,' or 'liberated by'? What does this mean?

    Liberation occurs when our consciousness dwells in all action as a consecrated offering.

    Liberation occurs when our consciousness dwells in the sacred syllables.

    Liberation occurs when our consciousness dwells in the form of one-pointed awareness.

  61. Guru Gita Verse 128

  62. 34. Verse 128 says, “Oh Goddess, also instructions about the path of the Guru to liberation, devotion to the Guru, as well as meditation, all have been explained." Can you please explain why the path of the guru, devotion to the Guru and meditation are mentioned separately?

    They are three aspects which unite: the path, devotion, and meditation. We want to make sure we have all three ingredients.

  63. I think most of the questions around this verse have to do with the path of the Guru. Devotion and meditation are both mentioned frequently, but the path of the Guru is never explicitly defined, yet this verse says, "... instructions ... have been explained." So what is the author referring to as the path of the Guru?

    The path of the Guru is the path that the Guru is showing through example, as well as the path of devotion to the Guru by following that example. The very asking of these questions is part of the path of the Guru.

  64. Guru Gita Verse 129

  65. In verse 129, what is meant by "for the benefit of the inhabitants of all the worlds do not accept an attitude of worldliness?

    It is in everyone's best interests not to become bound by worldly attachments.

  66. Guru Gita Verse 137

  67. Can you please explain why sitting on a cloth will produce affliction, and sitting on wood produces no fruit?

    If the asana is too flimsy or too hard we will contemplate the pain in our backside rather than the love of the Guru.

  68. I am eager to learn what merit there is in sitting on a dead animal's skin. Is the animal symbolic of certain attributes like swiftness or courage?

    It symbolizes sacrifice, giving up our animalism, our animalistic tendencies. Also the skin will provide optimum insulation between us and the earth.

  69. Guru Gita Verse 138

  70. The verses from 138 onwards of the Guru Gita are related and deal with color and directions to face when practicing. I have a lingering question regarding the qualities that may be enhanced by the various colors and directions faced. If one has a real need for support in more than one area, can the disciple rotate through colors of asan and directions faced?

    If there is a specific type of support that one needs, that subject should be consulted with the Guru, rather than randomly changing colors and directions.

  71. Guru Gita Verse 139

  72. Verse 139 of the Guru Gita states that kusha (or durva too) mat should covered by a white blanket. Is it ok to just sit on kusha grass mat or do we need to put white blanket on it? What is relevance of sheepskin used in Devi Mandir tradition?

    It is ok to sit on the kusha asana, but it will quickly become uncomfortable. You can put a blanket under it or a different asana on top.

    The sheepskin is white wool.

  73. Guru Gita Verse 141

  74. Why it is that facing in different directions during our sadhana produces these various results?

    It is because we tune into the energies which are prevailing in each direction.

  75. Guru Gita Verse 165

  76. This verse appears to be speaking of one who is finally letting go of the container of individuality and merging into the undifferentiated. This verse suggests the process of doing so involves letting go of doubts. I have no point of reference for this. It seems odd to me that there would be doubts of any kind left at that stage. Is this the major obstacle at this stage? Could you explain a little bit?

    Not only has the Guru removed all of his or her own doubts, but wherever the Guru moves, all doubts are removed. Just seeing or being in contact with that divine inspiration is sufficient to inspire devotees to dedicate themselves to the sadhana of serving the Guru.

  77. Guru Gita and reference to water

  78. In studying the Guru Gita and also in the Chandi, there is much reference to water. With the thought that whatever is happening in the external is happening internally, I wonder what does this flooding mean from a spiritual standpoint to a disciple? "Gu" is the darkness, the muddy waters, the maya and "ru" is the light. When all of the debris and sohas settled, all that can remain is light. Water is the mirror of the world - what is causing this degree of cloudiness?

    The waters are the ocean of existence, flooding us with worldliness.

  79. Guru Gita Homa

  80. I would like to do a Guru Gita homa. How would I change the recitation of a sankalpa to accomplish this?

    In the sankalpa use “Shree Guru preetyartham, Shree Guru Gita iti mantrena ahuti homamaham karishye.”

Submitted by webdev on Thu, 2007-09-27 16:37.

Cosmic Puja

~~OM~~

    Benefits of Cosmic Puja

  1. What are the benefits of the Cosmic Puja? What are the qualities that are developed, the wisdoms gained, etc.? When is this the appropriate primary puja?

    These are from a few slides from our new class on the meaning and performance of the Cosmic Puja. I hope they will answer the question.

    Cosmic Altar and Puja: Presentation

    The Cosmic Puja is a Universal Prayer for Peace for all the beings of existence. It is a guided meditation, which teaches us to perceive events in life without attachment, to free ourselves from the bonds of karma, and cease to react to every stimulus. Through wisdom and discrimination, we design the circumstances we desire in life, and in this way we act with the greatest efficiency. All actions become perfect actions, and no longer are we required to return again and again to finish our incomplete work. This is the path of liberation. This is the purpose of the Cosmic Puja.

    We meditate to surrender Too Much and Too Little, cut down Self Conceit and Self Deprecation, and surrender the Great Ego itself at the feet of the Divine Mother Goddess. Then we will be able to see that all of Existence is Being, Becoming, and Rest; desire, activity and wisdom. All of existence is in constant transformation caused by the Three Divine Couples: Brahma and Saraswati Creating, Vishnu and Laksmi Protecting, Shiva and Durga Transforming.

    This is the Cosmic Puja, the worship of the Energies of the Eternal Existence and the Consciousness which perceives them; the three qualities in Constant Motion: coming into manifestation, having a time of play in the circumstances of life, and transforming again into something else. Without Too Much or Too Little, without Self Conceit or Self Deprecation, in the absence of the Great Ego, we can perceive without attachment the Dance of Nature and intuit the presence of God.

  2. All Gods and Goddesses are one Family

  3. I pray primarily to Durga as the Kuladevata, However I also pray to Hanuman, Shiva, Vishnu and the rest of the family. I sometimes feel confused. How can I see them as a whole, please give me guidance?

    Please read the Cosmic Puja. All the Gods and Goddesses are members of the one family of divinity. Be free. There is no conflict.

  4. Many deities and one chosen deity

  5. How does the worship of many forms of deity relate to the notion of having a chosen deity, or Ishta Devata? There seems to be two directions along which your altar can evolve. One is toward a cosmic altar that has many forms of deity. The other direction is toward an altar that has only one, chosen deity, one's ishta devata.

    It is called Ekadista or Vyasti as compared with Samasti. Both are ways of worshipping and of setting up the altar. Both are correct. In both ways we still worship all the other forms of divinity, but they are worshipped in the presence of flowers rather than murtis.

  6. Bahya Matrika Nyasa

  7. In the Bahya Matrikaa Nyasa. I am not sure what you mean when you say base, for example:

    Om am namah R.1.4 base top of head,

    Om pam namah L.1.4 base L.side,

    Om bam Namah R.1.4 base belly, etc.

    Could you please explain?

    On each finger there are three spaces divided by the joints. The base refers to first space on each finger next to the palm of the hand.

  8. Agni Prajvalitam

  9. I would like to know whether you actually do a homa in the section on Agni Prajvalitam?

    No, visualize a circle of fire surrounding yourself and the deity. No other vibration can enter the circle. Then make the walls of the fire continually higher.

  10. Krishna

  11. Where does Krishna fit in the cosmic family? And Ram?

    They are both incarnations of Vishnu, and included in the Vishnu mantras.

  12. Brahma and Brahman

  13. Brahma is referred to as the Supreme Divinity and also as the Creative Capacity. Sometimes in transliteration the first is written Brahman, but apparently not always. How do I distinguish the two?

    From the context.

  14. Bhuta Suddhi

  15. In the Bhuta Suddhi, the bijas for the chakras are lam, vam, ram, yam, ham, and om. My question is are there also deities for the respective chakras? If so, what are they?

    Please look at the table on page 97 of Cosmic Puja.

  16. Where to make offerings

  17. Do you offer puja materials on the Chandi Yantra as well as the idol of the deity?

    In our tradition we do not break our asana from the time we take the sankalpa. Therefore, all offerings are made on the main flower situated on the yantra so we have no need to stand up.

  18. Bhutasparana

  19. In the Bhutasparana section, we call upon friendly spirits to get rid of the bad ones, then we tell the bad ones to go away, then we tell those that have chosen to remain that Lord Narasinha will deal with them. Should we make material offerings to the good spirits to persuade them to help us, to the bad spirits to get rid off them? What of the really demonic powerful ones? Does Narasinha take care of them, or/and should Hanuman be invoked for protection? Does one do this everyday, or once a week, or only at the start of a retreat or major event like a yagya?

    Traditionally we offer rice to the good spirits in the four directions. I personally find it too difficult to clean up so I offer flower petals on the altar. For the bad spirits, traditionally we offer black sesame for the bad spirits. Again I offer flower petals for these mantras too. For the demonic ones, invoke Hanuman or Devi (Chandi, Chapter 12). I perform the Bhutasparana every day as part of the Cosmic Puja.

  20. Prana Pratistha and Nyasas

  21. I would like to know the internal significance of Prana Pratistha and Nyasa. Since one could just as easily invite the deity into our hearts and meditiate on her there, and feel her there, without necessarily going through all the pratisht and nyas mantras, I would like to know what exactly these mantras do, as they are considered vital to all tantric pujas. Do they have the overall effect of enhancing the potency of the Japa Mantra that follows? In other words, one could just do the Japa without Nyasa, but with Nyasa the Japa would be more powerful.

    The easiest and most effective puja is to sit silently in contemplation of the Supreme Divinity within ourselves with only one mantra. But the mind is restless. It won't sit still that easily. It wants to roam from the past to the future, and rarely observes the truth of the present. The rishis designed the pujas to guide the mind into that stillness. The Pratistha and nyasa viddhis allow the establishment of all the vibrations of existence into our being, and then the establishment of the DIvine Mother as the embodiment of all that energy.

  22. Can I do Prana Pratistha myself, as no brahmin is around to perform it. And how would I proceed for murtis of Shiva, Ganesha, Krishna, and Lakshmi? What are the mantras and so on?

    Use the mantras from the Prana Pratistha in the Cosmic Puja, and then add the bija mantras for each deity.

  23. How do the different mantras of the Pratistha or Nyasa correspond to the different chakras and nadis(chakra petals)?

    I stand by the explanation already published in our books. The correspondence begins at the Muladhara to the Ajna chakra.

  24. Just as receiving initiation into a mantra makes it more potent for the sadhak, does one need therefore initiation into the pratishtha and nyasa mantras as well to enhance their effect?

    Everything works better when we have an oral transmission of knowledge, and even better when we can do our sadhana in the presence of a pure example of someone who is practicing that sadhana. There are so many nuances in every action that cannot be explained in an email or even a book. But we must do the best that we can. When circumstances allow, we will come into that relationship which inspires us to actually adjust our life styles so that we can receive the teachings first hand. Until then we must follow the teachings to the best of our abilities, and maintain the sincerity to continue to progress.

  25. Could you also please tell me whether in cosmic puja pran pratishta is mentioned twice is deliberate or should just be done once?

    We make prana pratishtha many times during the puja:

    On the deity

    On the pot.

    On the worshipper

    On the yantra.

    On the fire.

  26. Energy inside and putside the pot

  27. On the one hand, when you were talking about the pot and you said that there is energy outside and energy inside, seems like there is only one energy. And then you said each manifestation is a different energy. Could you explain this?

    Watch and hear Swamiji's answer by clicking on this icon: .

  28. Puja Naivedhya

  29. In the Cosmic Puja, puja naivedhya is initially addressed to the Goddess. At the end, the text shifts to addressing God. Is there any significance in this shift?

    Watch and hear Swamiji's answer by clicking on this icon: .

  30. Three levels in the altar

  31. The Introduction (to the Cosmic Puja) talks about three levels in the altar. It also says that as we move up the altar the way we perceive the world changes. Could you give us some examples from your life about how this happened?

    Watch and hear Swamiji's answer by clicking on this icon: .

  32. Cosmic Puja cover - Puja and Altar (Murtis)

  33. I am mesmerised by the idol of Durga (Chandi) Maa, the one on the front page of the cosmic puja book riding on the lion slaying Mahisasur. Is there an actual murti like that somewhere in a temple in India because I have this strange feeling that I have seen it somewhere.

    She, this murti is prepared in different parts of Bengal every year. She is worshipped for the Navaratri and then dissolved again in the Ganga.

  34. Cosmic Altar

  35. The Cosmic Altar has been described in the Vaikritikam Rahasyam (from the Chandi Path) as the best way to worship Her. Does this mean that we should position the deities in our homes in the manner described in the Rahasyam? Would you advise us to model our altars at home based on the Cosmic Altar?

    It is an extremely sophisticated form of worship. Certainly we want to move in that direction, but don't move so fast as to make our worship a burden.

Submitted by webdev on Thu, 2007-09-27 15:58.

Chandi Path

~~OM~~

    Saptasloki Durga

  1. What is the spiritual discipline She is talking about in the 7 seven verses that describe the essence.

    The sadhana of the Chandi.

  2. Sri Durgastottara Satanama Stotram

  3. In Sri Durgastottara Satanama Stotram, it is written that it is best recited evening before the New Moon Day known as Bhaumavati, when the celestial configuration is in asterism known as Satabhisa. What and when is Bhaumavati? What is Satabhisa and when does this happen?

    Bhaumavati is Tuesday. Satabhisa is the name of a Nakshatra (asterism or star). When that specific Nakshatra falls on a Tuesday, that is most auspicious.

  4. Are all days before New Moon called Bhaumavati or is it the Amavasya that falls on a Tuesday? Also, how do we find out when the celestial configuration is in the asterism Satabhisa?

    Only the Tuesday on which Amavasya falls. Check the Panchanga to know the asterism on that day.

  5. After the 108 names of Durga, there is a section - "om aim atmatattvam ...svaha" Are we to sip water after each svaha?

    Yes.

  6. Should we say "Om Vishnu" after that and wash our hands ?

    No need for the Om Vishnu. Just wash your hands.

  7. Removal of Curses

  8. Why are there 3 mantras (the Sapoddhara, Sapa Vimocana and the Brahmadi Sapa Vimocanam) to remove curses.

    They were different curses.

  9. Can you please let me know the sanctity of the number 11 used to chant the sapoddhara mantras in the Chandi?

    There are eleven forms of Rudra, eleven jyotir lingams, and eleven is a holy number.

  10. When chanting the Sapoddhara mantras in the Chandi, I generally chant 3 mantras to a breath. So I do 4 repetitions of 3 each making the number of mantras 12, and not 11 as stated in the book. My understanding is that the minimum recommended is 11 and so is it OK to chant 12 or more depending on the pranayam?

    Never harmful to do more. All the minimums are just that - the least you want to perform. There are no maximums listed.

  11. Are the Sapoddhara mantras part of the Seeda Path?

    The Seeda Path means straight through, without the six limbs. The six limbs are devyah kavacham, argala stotram, kilakam and the three secrets at the end. Vedic Ratri Shuktam and Vedic Devi Shuktam and the Navarna Viddhi are always included at the beginning and end.

    Therefore, the sapoddhara mantras may or may not be included in the seeda path at the discretion of the individual.

  12. Why is the Mrtasamjivani Mantrah the mantra that bestows life from death?

    Mrityu means death; samjivani means to restore to life. Because of worldly attachments we become dead to our spiritual lives. Reciting this mantra we remember our spirituals Selves, and become restored to life.

  13. Devyah Kavacham

  14. If I recite the kavach once, how long would it last on me?

    That depends on the amount of sincerity and faith with which you recited. It could be a practice that you want to add to your daily worship.

  15. Why do we chant the kavach?

    The Kavach is one of the limbs of the Chandi. It allows us to establish the energies of the Goddess in the different parts of our bodies. It gives more than protection. It allows us to unite with Her.

  16. Is it an insurance policy?

    The best one available.

  17. Does complete faith mean Total Protection?

    Great definition.

  18. What is total protection?

    No matter what happens, we remain in the presence of the Divine Mother.

  19. What is it that we want to be protected from?

    The changes and modifications of our minds.

  20. Are there specific mudras, symbolic gestures or physical actions intended to accompany the chanting of Kavach?

    There are.

  21. Is it sufficient to chant the mantras and visualize without doing physical gestures if one has not received instruction?

    Absolutely.

  22. In verse 3, "second is the Goddess of Sacred Study and third is the Goddess of the delight of Practice". The seeker is inspired and meets the Guru. S/he receives the knowledge. But invariably the knowledge is not practiced. What prevents knowledge from being practiced?

    Old habits are hard to break. It is easy to become inspired, but to really make the change is very difficult.

  23. In the Viniyoga, "that which bind the the Gods of all the directions" is defined as the principle underlying the Kavach. What is it that binds the Gods?

    Devotion.

  24. Why are the Nine Durgas listed here and what are we to get from their mention here? Are they intended as signposts for our sadhana? If that is so, then why are the descriptions so terse? Do they relate to what occurs in the main text? Are they a kind of table of contents to what happens later?

    They do comprise a chronology of events, both in the Chandi and in our lives. Again and again we get an inspiration, cultivate the knowledge, put it into practice, and then things get better and better.

  25. In verses 9 and 10 of the Kavach the buffalo, bull, elephant, and peacock are mentioned. What is the significance of each animal, and how do they relate to human evolution. I am especially puzzled by the buffalo since the ego later changes into a buffalo.

    This buffalo is different from the Great Ego's form. This one stands for perseverance and is the conveyance of the Goddess Varahi. The Great Ego's form as a buffalo stands for stubbornness.

  26. While I have great faith that the kavach works, how can one know objectively that one is putting on Chandi's armor? I can understand that a pure soul can have total protection, but if a devotee of limited awakening puts on Her armor, does that devotee only gain partial protection?And, if that is so, what can one do to increase the power of Her protection?

    We can establish the amount of protection of which we are capable. As much as we do, so much is our benefit.

  27. What is the method of wearing any armor? e.g. Devyah kavacham, Kali kavacham, Vishnu kavacham etc

    I presume that we are speaking of the physical kavach or amulet. After it has been prepared, perform the puja and establish the yantra. During the offerings section, offer the amulet on the yantra, just as you would offer a rudraksha. You can use the Gayatri mantra for the offering. Afterwards, recite the kavach for that particular deity. Then perform the prana pratishtha to the kavach, kara - anga nyasa, and japa of the mula mantra.
    After the visarjana is complete, remove the amulet and you can wear it. Please do not let others touch the amulet after the offering has been completed. Also, you can remove it from your body during personal functions: toilet, bathing, etc.

  28. Why are the mantras of the Kavacham, Argala Stotram, and Kilakam not offered with Svaha at the fire?

    It comes from the oral tradition. They are all parts of an internal purification, during which process we do not want to direct our attention outside.

  29. Argala Stotram

  30. Why do we chant the Argala Stotram before the Kilakam?

    Actually in different books the order is reversed. And in some books the Kavacham comes after the 700 verses. Here we followed the North Indian tradition.

  31. In the Argala Stotram you have translated "dvisho jahi" as "remove all hostility". Does that mean remove all the hostility inside us or remove the hostility from people around us so that they become friendly toward us?

    Both - all hostility. Make this world to be at peace, and make me to be at peace with the world.

  32. In other texts we pray for Moksha, but why is it in Argala stotram we pray for form and welfare? What does it mean when we say 'give us Your form?

    Your form means may we have the Infinite form of the Divine Mother, the form of Satchidananda, the form of Mulaprakriti.

  33. In verse 18 of the Argala Stotram, this is said: "The four-faced Creative Capacity, Brahma, sings the praise of the four-armed Energy of the Supreme Sovereign." What do the four arms represent?

    The Goddess is often seen as four armed. Each arm is a power. Each arm holds a weapon. For example, in Chapter 6 Her four hands hold a rosary - continuous japa, a gourd - renunciation, a skull - abandonment of the ego, and a lotus - peace. In Chapter 8 Her four hands hold the net - unity, the curved sword - sword of wisdom, bow - determination, arrow - one-pointed focus.

  34. In the Argala Stotram, what is the bolt in our lives? And how do we unfasten it?

    The bolt locks the door to the secret of the Goddess. It is like a dead-bolt lock. We unfasten it by remembering that our prayer is for the perception of your form, welfare or fame as heroic warriors, becoming victorious over the ego, and the elimination of all hostility or conflict.

  35. Verse 24 on p78 says, "patnim manoramam dehi." The transliteration says, "give me a wife in harmony with my mind, who follows the changes of mind." What does "follow changes of mind,” mean here? Does it imply change from materialistic to spiritual state?

    The wife is the Shakti, and the husband of Shakti is Shiva. Therefore, this verse applies to all without deference to gender. Make me Shiva in harmony with Shakti. No matter where my mind wants to travel, no matter how mind changes or fluctuates, may I always remember that I am Shiva, Pure Consciousness, in complete harmony with Shakti, Pure Energy or Nature.

  36. Kilakam

  37. Does verse 1 of kilakam mean that when the pin is removed, we are like Shiva?

    Yes. It also means that we become one with pure knowledge, the wisdom of the Vedas.

  38. In Verse 3 of the Kilakam, Markandeya Muni says to the Goddess that "by chanting this hymn, they attain the perfection of indifference to each and every object of existence." Can we describe this indifference better? Does it mean that all we will want to do is to chant the Chandi?
    And so we start working to organize our lives so that we can?

    Yes, that is how it works. As we chant, the world has less and less influence upon us. Therefore, we increase the chanting. And it continues to grow, and worldliness retreats even more.

  39. In the concluding remarks after the Kilakam, you have mentioned that "Mother will reveal at a certain stage in the development of an aspirant" its significance. How will I get it, being so far away from you or Shreemaa. Is it related to the inner meaning of the text "He gives and in return he receives, and by no other means is She pleased". After each repetition of my mantra I visualize that I am offering the mantra puspha to Her. And I feel that at higher stages of development it should grow into offering the moment to moment consciousness to her, offering the chaitanya kusumas. Is this the meaning of "he gives", and does "he receives" mean the joy of offering which comes out of the mental offering.

    Yes, you understand. It is the law of karma: you will get the prasad of your offering. Understanding this, you will want to give the most. It is the opposite of every other business transaction, where everyone is desiring to give the least and trying to get the most. In our relationship with God we want to give the most and receive what She wills as prasad.

  40. After the Kilakam you have mentioned that its meaning will be clear after initiation into the utkilana and Saapa vimochana mantras. Are there two separate initiations for the Chandi - one to the Navarna and the other to the utkilana and sapa vimochana mantras or just one "master" initiation.

    There are many levels of initiation in the Chandi.

  41. Vedoktam Ratri Suktam

  42. Who is the seer kushika? In general, is the seer the one who is credited as the original composer of the verses?

    Yes, the seer is the one who made the original composition or discovered the original mantras. Kushika was such a seer.

  43. Verse 4 says, "She is ours now. May we see Her effortless, unimpaired movements upon the earth as a bird sees from its dwelling in a tree, (remaining only the witness)." Were Her movements impaired before (in the Night of Duality) but now they are not? Was it our saying to Her "do not change" that was impairing Her movement? When we become the witness then She is no longer impaired because we are no longer attached to her changes?

    Excellent! As long as we are saying, I like things the way they are, please do not change, we are trying to restrict Nature to what is pleasing to us. In making Her our own, we allow Her to change as She will, change as She must, because that is Her Nature to change. We become the witness of all the changes of Nature.

  44. Verse 5 says, "For the entire host of humanity, for animals who traverse by foot, or birds who fly in the air, She is the object of desperate search." I can understand the host of humanity desperately searching for Her once the Dawning Light has begun to shine, but were we searching for Her during the Night of Duality also? Perhaps during the Night of Duality our desperate search was for the Goddess of Night (who else was there?). We tried to come closer to Her by pursuing our many selfish desires.

    Exactly! All movement in creation is seeking a greater degree of perfection. Now, consciously we are seeking to recognize Her in every movement.

  45. What does it mean for an animal or bird to desperately search for Her?

    To seek a greater degree off perfection through their efforts.

  46. Tantroktam Ratri Suktam

  47. In verse 3 of the Tantroktam Ratri Suktam, what does the "eternal half vowel?" mean?

  48. Verse 7 mentions the Night of Time, the Great Night and the Night of Ignorance as the Goddess as the qualities of Nature (Nature is also the Goddess). How we might get a sense of the qualities of "the Night of Time," "the Great Night" and "the Night of Ignorance?"

    "The Night of Time" creates the illusion of time and allows perception, because we perceive in time. "The Great Night" is the darkness which exposes the light. "The Night of Ignorance" is the darkness which obscures the light.

  49. Are these associated with specific gunas in this verse?

    Not necessarily. Of course, it is possible to relate every thing to all three gunas at any point in time, but this Tantric Ratri Shukta is more a description of Her various attributes for the purpose of praising Her. And then, who can praise Her? If the Lord of Existence is subject to Her will, then what can I say about Her?

  50. In verse 14 of Tantroktam Ratri Suktam could you comment on "cause the ignorance of egotism to fall upon those two thoughts Too Much and Too Little."

    Definitely. When we succumb to egotism, we act from ignorance, and invariably we make mistakes.

  51. Devi Atharvashirsham

  52. What is an Atharvashirsham such as Devi Atharvashirsham for?

    The highest meaning.

  53. Navarna Viddhi

  54. Is it true that the mantra "Om Aim Hrim Klim Camundayai Vicce" should not be chanted unless it is taught by a Guru?

    The Navarana mantra should be received in initiation, but that is not always possible. There are no ill effects of reciting the mantra without initiation, if you have the intention of self purification, but the energy contained in the mantra is ever so much more potent after having received it from a qualified guru. In the absence of such a relationship, if you are devoted to the Divine Mother, then recite Her mantras with full faith, and when the circumstances permit, She will bring the appropriate guru to give you initiation. This is true for all mantras performed with the intention of self purification. If you have other intentions, please consult a qualified teacher. But do not ever hesitate to read, study, or practice.

  55. Is it true that without a formal initiation into the Navarna Mantra I will not get the benefits of the chanting? Can I consider hearing Shree Maa chanting the Navarna mantra as an initiation?

    There are many kinds and levels of initiation. If you consider Shree Maa as the example you want to follow, then she is your Guru. You have been initiated. More will come as is necessary.

  56. Is there a time when we add a "namaha" at the end of the Navarna mantra?

    Some sadhus do. We do not. It depends on the tradition of your Guru lineage.

  57. Why is the Navarna Mantra Chamundayai and not Chandikayai?

    Look in the Devyatharvashirsham chapter of the Chandi Path, where She describes the meaning of the mantra and how it is derived.

  58. Is using my Guru mantra, not Navarna, OK for pranayam with Chandi? What is the preferred mantra for pranayam with Chandi - one's Guru mantra or the Navarna.

    The Guru mantra is the preferred pranayam with any scripture.

  59. Is the Navarna Viddhi part of Sri Vidya Upasana?

    Yes.

  60. Are Chandi Upasana and Sri Vidyopasana related sadhanas?

    Yes.

  61. I have heard that at an advanced stage, Navarna Viddhi would involve some amount of Vamachara? Is this true?

    It is possible, but not necessary.

  62. Is Navarana Viddhi something that an initiate would have to practice continuously to obtain the relevant results?

    The more you do the more you will get.

  63. Can one add this to his/her sadhana tools?

    Absolutely.

  64. Can the navarna mantra be permutated and the syllables rearranged in different orders to generate different effects?

    No. Read it the way it is written: Creation - Preservation -Transformation.

  65. Klim is the pin the whole thing hangs on, what does that mean, and what does removing the pin mean?

    It means purifying desire so that we are praying with sincerity. Removing the pin allows us to open the doors to the secret of the Chandi.

  66. Does klim open the pin?

    It is one ingredient. So also are Aim and Hrim.

  67. Does it mean that unshakable faith in the guru unties the granthi of the heart?

    That is not the only meaning of Klim, but it is true.

  68. Does navarna mantra make up the form of Maa Kali and will we invoke that form of Mother by repetition of these letters?

    No, it is the form of Mahakali, Mahalakshmi and Mahasaraswati, and we invoke all three by the mantra.

  69. Chapter 1

  70. In Chapter 1, verses 49 and 50, there is a discussion on how objects of senses are perceived differently by different creatures. Then it says "It is true that humans have a capacity of understanding, but not only humans. This knowledge is common to all animals, whether beasts of the forest or birds of the air; all living beings possess this understanding just as human beings." What is this understanding? What is the "general principle" that is being referred to here and in verse 51?

    The understanding is the capacity of discrimination, consciousness, awareness, and the general principle is that all awareness is alike: we either recognize or we do not.

  71. In the Dhyanam on MahaKali in the Chandi (Khadgam Chakra Gadheshu Chaapa ...), She is described as holding nine weapons in Her nine hands. Is Her tenth hand in Abhaya Mudra?

    No, you counted correctly. The Dhyanam specifically says that She has ten hands, but only lists nine weapons. However, in the Verse 5 of Vaikritikam Rahasya, the missing weapon is an Arrow. In the Dhyanam it is understood bow and arrow.

  72. In verse 6 of Chapter 1, “Good Thoughts (Suratha) moved against the Destroyers of Worship to engage in battle, and even though they were fewer in numbers, nevertheless Good thoughts was defeated. We have good intentions, good thoughts, and good goals. But these do not manifest as good actions. What are the chief causes of this phenomenon? How does iccha shakti become kriya shakti?

    There are a number of variables included in iccha shakti. First look at the intensity or sincerity of desire. Then durability, sustainability. How quickly are we distracted from our inspiration? How easily are we dissuaded from our resolution? Look at our capacity. Do we really have the capability to perform? Do we have sufficient resources?

    There are a number of reasons why we can excuse our inaction.

  73. In verse 16, "And as the King went into deeper contemplation of the loss of his wealth and his present situation, his mind became absorbed in pain and his thoughts controlled by worldly attachments." As such contemplations arise in our mind, what remedies are available?

    Focus on our goals. Sing the Chandi. Do more sadhana.

  74. In verses 37-38, "Observing the proper customs and congenialities for learning, they sat down and engaged in conversation." What are some of the proper customs and congenialities for learning from a Guru?

    Be open. Have a sincere desire to learn. Don't go to a Guru to show how much you know. Be humble, respectful, helpful. Take copious notes. Organize your notes at every opportunity.

  75. In verses 48-49, Medhas Muni says that the objects of the senses are perceived differently by all beings. What is this seeing?

    Any operation of consciousness: pratyaksha, pratyay, prakash.

  76. Is it confined to perception with our senses?

    No. We perceive our thoughts and intuitions.

  77. What is its significance to Suratha and Samadhi, in light of their problems? Why does the sage mention this?

    His next example about the birds feeding their young illustrates the nature of attachment. Even though acknowledging their own hunger, the birds are feeding their young. We perceive and think about our perceptions differently.

  78. Chapter 2

  79. Verse 66 of Chapter 2 refers to dancing torsos and great rivers, what is this great river?

    In the Chandi it is known as a great river of desires that come pouring forth from the defeated forces of duality. These desires spill across the earth as they no longer possess the capacity to bind us further. That is, in the battle with the thoughts, the Divine Mother sets us free from all negativities.

  80. On page 4 of "Chandi Path: Study of Chapter Two" You state that, "Remember in Chapter One when we describe the manifestations of the Goddess, She gave us the boon that whenever devotees praise Her with pure devotion She will make Herself manifest." Which verses of Chapter 1 is this referring to?

    Verses 89-91 of Chapter 1. She gave the boon through Her actions, performing just as the worshipper had asked: She emerged and became visible. And in 91-92 by freeing Vishnu from the mystic slumber that She caused, He woke up and rose and saw the impending attack.

  81. Swamiji translates the asura Mahahanuh's name as "The Great Deceiver." Is Mahahanuh some part of myself that I can identify? Is he deceiving me? Is he deceiving those around me? Just what is the deception? And why does it exist?

    Every form of deception comes under the domain of the Great Deceiver: to myself and to others, from me and from others. He is constantly creating deception.

    He is able to do so because it is so hard to live with truth. In order to live with truth we must surrender to Mother. Therefore he is so powerful.

  82. In "The Bell of Continuous Tone", is a continuous tone more beneficial/pleasant than a non-continuous tone? Can you please offer any insight on this weapon.

    Yes, the continuous tone brings us into the nada, the subtle vibration which doesn't change. That takes us deeper and deeper inside.

  83. In Chapter 2, Verse 23 we find Brahma presenting to the Goddess "the bowl of renunciation". What is the function, purpose, and symbolism of this bowl in the hands of the Divine Mother? Is this bowl full or empty? What is its' importance in the battle with the Great Ego?

    The bowl of renunciation is a sadhu's bhiksha patra, a begging bowl, meaning I have nothing of my own; it all belongs to Her. Everything we get is Her prasad. The bowl is empty as we present it to Her, because we have nothing to give except for our devotion. It is usually full when She gives it back to us, because She is the Giver of All.

    In the battle with the Great Ego it is important for us to renounce our attachments. We cannot move in to samadhi while we cling to duality.

  84. Chapter 3

  85. In the Praise of the Goddess in Chapter 3, the moon is situated in a "jeweled crown." In Chapters 4 to 10 we see mention of a digit or half moon. After the shield bearing a hundred moons was cut by Mother's sharp sword (chapter 10) the Moon then became Mother's crown. Can you please explain the significance of the moon in this context since most of the deities are depicted with a digit of the moon?

    The Moon indicates Devotion, which is the highest manifestation of divinity.

  86. Chapter 5

  87. In Chapter 5 of the Chandi Path, the Goddess is praised for various divine attributes, such as Patient Forgiveness, Peace, Humility, etc. Why are attributes such as Hunger, Sleep, and Confusion also included?

    Hunger means intense desire for God. Sleep means unconsciousness or forgetfulness of God. As soon as we praise Her as forgetfulness, we are remembering. The same with Confusion. As soon as we praise Her as Confusion, we are no longer confused.

  88. Chapter 7

  89. In Verse 24 of Chapter 7 the Remover of Darkness gives the heads of Passion and Anger to She Who Tears Apart Thought and says, "Now in the war of sacrifice, you yourself will kill Self-Conceit and Self-Deprecation." I would appreciate comments on the term "war of sacrifice." Does that term refer to the battle to kill thoughts? I wonder at the use of the word sacrifice.

    The word sacrifice, yajna, comes from the root yuj - to unite. It is the same root as yoga. The sacrifice is giving up of all duality that precludes union.

  90. Chapter 8

  91. Can you help us understand verse 23 of chapter 8 a little more? From the body of which Goddess does "She who tears apart thought" come from? I thought in Verse 22 that "She who tears apart thought" was already present on the battlefield.

    The excessively fearful and extremely terrific ENERGY of She Who Tears Apart Thoughts becomes manifest.

  92. Could you please elaborate on the intense energy of She Who Tears Apart Thought that you refer to in verse 23 of Chapter 8?

    There is no language by which to describe.

  93. Chapter 9

  94. Regarding chapter 9, verse 35 of the Chandi "Emerging from the heart pierced by the pike came a spirit of great strength and valor, crying Stop!" Is the spirit leaving the heart of Self Deprecation the death of the small ego?

    Actually it is not the death. Rather he is crying to stop this process of killing the ego!

  95. In verse 38 of Chapter 9 of the Chandi, we read others were repulsed being sprinkled by the water sanctified by the incantation of the Creative Energy. Can Swamiji give us the the inner significance of this verse, especially of the water?

    The water being sprinkled in abhishek represents the conch shell water that we sprinkle on the heads of all devotees at the culmination of the worship. The mantra with which it is sprinkled says: amritam kuru swaha - make this immortal nectar.

  96. Chapter 10

  97. Verse 29 of Chapter 10 refers to "symptomatic confusion". What is symptomatic confusion?

    Confusions as they manifest in our lives.

  98. Chapter 11

  99. The hymn of praise in Chapter 11 is dedicated to Narayani, "the energy which exposes consciousness." What does it mean to expose consciousness?

    To make consciousness perceivable. That is, She gives consciousness a form so we can see it.

  100. Vedoktam Devi Suktam

  101. What does the term Vedic Praise mean?

    It means that it came from the Rig Veda as compared with the Tantrik Praise which cam from the Markandeya Purana.

  102. What is the purpose of these verses? What state of consciousness are they to enliven in us? What value do they have for the aspirant?

    These verses describe the state of enlightenment of one who has realized unity consciousness, a oneness with all the Gods and all of creation.

  103. Vaikrtikam Rahasyam

  104. In the Chandi Path - Modified Secret - Verse 21-22, how do you worship Time and Death?

    Time = Kaal = Shiva

    Death = Mrityu = Yama

    You will find both viddhis in the Cosmic Puja.

  105. Pradhanikam Rahasyam

  106. In the Pradhanikam Rahasyam, Mahalakshmi creates Brahma and Lakshmi from Hiranyagarbha, the Golden Womb, also called Bindhu. Later, the Creative Capacity and his wife, the Spirit of All-Pervading Knowledge, give birth to the Cosmic Egg. I was under the impression that Hiranyabarbha and the Cosmic Egg are one and the same; in fact, I recall having seen it referred to as the Golden Egg. Are the two the same?

    If they are, how is it that those gods who were themselves products of this "first spark of creation" again created the "first spark of creation" in order to produce the universe? Is it that Hiranyagarbha is eternal, existing outside of time, a sort of eternal instant, eternal birth potential, accessible to anyone able to approach it? Must all who attain to asamprajnata samadhi first pass through hiranyagarbha?

    We call Hiranyagarbha the Golden Womb and Brahmanda the Cosmic Egg. The Egg takes birth in the Womb. The Womb is possibility and the Egg is the actuality. The Womb is beyond all form, and the Egg is the first or foremost form. Yes, we pass through the womb when we move beyond all form.

  107. Verse 5 of the Pradhanikam Rahasyam of the Chandi describes the form She takes. On her head She bears a snake coiled around a lingam. Is the significance of snake in all Deities the union of the male principle with the female principle?

    Yes. The snake stands for Kundalini Shakti.

  108. Durga Dvatrimsannama Mala

  109. Could you please let us know the significance of the Durga Dvatrimshannama mala?

    The 32 names of Durga really have more significance to me because of their poetry, their tones, their complete adherence to the principles of anushtup chanda, how each name is perfectly aligned with the meter, then because of specific meanings.

  110. Siddha Kunjika Stotram

  111. Could you please let us know the significance of the Siddha Kunjika Stotram?

    This is the essence of the Chandi, the Navarna Mantra, the constant reminder that change She will, change She must, because change is Her intrinsic Nature.

  112. What is the meaning of 'Kunjika' in the Siddha Kunjika Stotram?

    Kunjika literally means "something overgrown or hidden by growth or growing things." Siddha means perfection. Stotram is the song. The Song of Perfection which is no longer hidden because of growth. That is, our spiritual growth and understanding of the Chandi exposes the hidden meanings of the bija mantras in the Song.

  113. In reference to the Siddha Kunjika Stotram ...
    What is the junction of the eyes, ears, nose, and throat?

    Draw a line through the Sahasrara. At the junction where the eyes, ears, nose and mouth unite on that axis, that is the location of intensity in this meditation.

  114. Would Stambhana (the siddhi in Siddha Kunjika Stotram) be the same as pratyahara?

    No. Pratyahara means to bring the senses inside. That is, closing off external perception. Stambhana fixes the perception inside by holding the thought still as well as the sense.

  115. When doing slow japa with breathing from the siddha kunjika stotram for the long version from verse 4 what are the best mudras to use? What is the proper name to honor the mantra of this stotram? What is the best visualization or form of the goddess to accompany this mantra?

    For mudra, either folded hands, or jnan mudra. The mantra is referred to as the Navarna Mantra. For visualization, the entire Cosmic Altar.

  116. Bhagavati Stutih

  117. In the Bhagavatistutih of the Chandi ,why is the Divine Mother compared to the autumm moon?

    The autumn moon is low on the horizon - so close we can touch it. It is often of reddish hue, so beautiful, full of love.

  118. Pranamah

  119. In the Chandi, why is pranamah (bowing down with devotion) the last chapter and not the Kshama prarthana (prayer for forgiveness)?

    The last thing we want to say is Pranam - I bow to you.

  120. Indradi Stotram

  121. Could you please let us know the significance of the Indradi Stotram?

    I assume this is Chapter Four of Chandi. We call it Indradi Stotram, the Song of Praise by Indra and Others. There is so much that is significant in each of these, that the question is unfair. But if I were to choose one particular item of relevance, I would suggest Verse 9, where the Gods say: Inconceivable are the great austerities to be performed in order to become pure. Also I love verse 36 where the Gods say: Whenever we remember You, then and there You will give us intuitive vision.

  122. Devi Mahatmya Stotra Ashtakam

  123. Could you please let us know the significance of the Devi Mahatmya Stotra Ashtakam?

    As with every Ashtakam, the Greatness of the Chandi is extolled in eight verses.

  124. Chanting Questions

  125. Do we need recite to always recite the kavaca, argala, kilakam and siddha kunjika stotram together, or can the be chanted separately?

    They can be chanted separately. But a complete path with all the limbs contains them all. A Siddha path does not.

  126. I have been using a tambura to help me with the beat while chanting Sharanagata Deenaarta and a few others (Ya Devi etc). Is this okay? or should I just use the breath. I have started on the Chandi now and am loving it.

    Jai Maa! Use the tambura. When you feel like chanting, that will be fine. Jai Chandi Maa!

  127. It is said that all 700 verses are mantras. Usually we know mantra as commencing with "Aum" then ending "namah" as it is the case in Sri Lalita Sahasranama. However, in Devi Mahatmyam, each verse is stotram style, and this raises a question. If we want a specific result, we choose specific stanza such as " Sarvamangla mangalye...." in 11th chapter. What is the correct way of reciting this? Should we add AUM and NAMAHA in the stanza, so that it reads as

    "Aum sarvamamgala mangalye sive sarvartha sadike

    sharanye tryambake gauri narayani namostute namaha"

    Or does simply repeating the selected verse produce the desired result?

    Each mantra is written in a specific chandha or rhythm. It contains a specific number of syllables for a reason. Recite the mantras as they are written and you will get the intended result. It is customary at the fire to add Swaha with the offering, but every mantra has Om included already, and Namah requires a change in grammar. So read it the way it is written.

  128. Chandi Homa

  129. Does one need to add additional mantras in order to do homa when reciting the Chandi Path such as the Agni and Purnahuti mantras or are the mantras of the Chandi Path sufficient to carry out a homa from instructions given within the text?

    The complete Chandi Homa viddhi contains more mantras then are included in the Chandi Path book. For examples the Agni ahavan, visarjana, and purnahuti mantras are not included in the Path.

  130. How do I change Advanced Shiva Puja Yajna mantra's to do Chandi Yajna?

    Convert the masculine gender to feminine, and substitute Chandi for Shiva.

  131. Chandi Yantra

  132. Can one use the Chandi Yantra to do smaller sadhanas of Maha Kali? Can any Devi be worshiped on the Chandi yantra?

    Every sampraday and every guru kul will have their own definitions as to how to worship with a yantra. In our guru kul we can worship any Devi on the Chandi yantra.

  133. Experience after chanting Chandi Path

  134. I recited the Chandi Path for the entire length. When I finished and put the book down, a golden red circle with a slash appeared on the book and when I looked at the books for the Beginner's Puja of Durga and Shiva I saw a golden red circle without the slash. Is it the appropriate time to chant the Chandi? Should I just go back to the Beginners Pujas and perform that?

    Try it a few times more, and see how the experience evolves.

  135. Which verses to chant

  136. I am chanting only the Kavacha before the daily quota of chapters. Is that sufficient? Or should the Kavacha and Kilakam be the minimal daily set. Kindly let me know the minimal daily set which has to be chanted before and after the thirteen chapters.

    Have you read our book on Pronunciation and the Samputs? There are many ways to recite. The minimum is the Vedic Ratri Shuktam, Navarna Viddhi, 700 verses, Navarna Viddhi, Vedic Devi Shuktam, Siddha Kunjika Stotram. You can expand from there.

  137. If we have to make a certain section (or sections) of the Chandi as part of our daily sadhana, then is it still always required to do the Kushandika and Shanti Path (with the sankalpa) before beginning the section(s)?

    That will be most appropriate. You can make a general rule that every time you sit down, that is where you start.

  138. Tying the thread

  139. Why do we tie the string around our wrist in the opening mantras of the Chandi? Why and for how long do we keep the string on and what is its significance?

    The string means that our hand is bound by dharma. Every action that hand performs is consecrated to the Goddess. We wear it until it falls off of its own accord.

    Footnote: The string is tied on the left hand if the wearer is female, the right hand if the wearer is male.

  140. Stuti during Chandi Maha Abishekam

  141. What stotra/stuti in particular do we recite/sing during Maha Abhishek of Goddess Chandi? I normally do Chapter 4 of Chandi Path as I find it so enjoyable and feel like dancing during the recitation! Are there any other stotras/stutis that Shree Maa or Swamiji suggest?

    That is just fine. You can also use the stotrams from Chapters 1, 5, and 11.

  142. Desires

  143. Yesterday I had this thought as I was preparing to study the Chandi, "I wish I could see better" as I was having some trouble with my eyes. Immediately a voice said "Why do you have so many desires?" This voice was non-judgmental and felt separate from the source of my typical internal voice. Is there any particular understanding of this kind of thing in the Chandi Path?

    First, in Chapter One the Rishi says, "Objects of the senses are perceived differently by all beings." Then it becomes less relevant to see outside, as to hear Her inside.

    Also check out 4-16: By your grace, Oh Goddess, the meritorious souls perform the acts of spiritual discipline with faith and thereby attain to heavenly perception.

  144. Chanting with Samput

  145. Why do we chant with samput? Is the purpose to keep the mind totally absorbed? Is it appropriate to use samput with all scriptures or just the Chandi?

    There are different samput viddhis to be used with all scriptures. But every scripture has the potential to be used with a samput mantra. The samput intensifies the mantras, lengthens the absorption, and adds to a deeper experience.

  146. Listening to Chandi

  147. If I just leave a cassette of the Chandi playing in a room, does its vibrations purify the room?

    Extremely beneficial.

  148. I am unable to chant the Chandi Path but I listen to it on CDs, is this ok?

    Great. It will lead to your ability to chant it yourself.

  149. Having come to this knowledge rather late in the game of life, chanting the Chandi is beyond my reach right now and may not be something that I can ever really do given time factors. I wonder if a practice can be built around listening to the Chandi.

    Absolutely! If you can meditate on the hearing of the Chandi, it will have great benefits.

  150. Puja before Chandi Path

  151. Is there any particular puja that you specifically recommend before we start our Chandi Path?

    It depends on your sankalpa. For me, most often, it is the Cosmic Puja. If you want, it could be as basic as the offering of lights and incense before the sankalpa.

  152. Diet during Chandi Sadhana

  153. Do you suggest any diet restrictions such as abstaining from meat and alcohol on days the students learn their recitation or on days they do their Chandi Path?

    It is not so important what we put into our bodies, as it is what we put into our minds. It is not so important what we put into our mouths, but what comes out. Sing Her name with full faith. She will let you know what to eat.

  154. Pranayam

  155. You have suggested that the Guru mantra be used during parayan of any scripture. My Guru mantra is a Ganesh mantra - can I use this for my Chandi chanting.

    Yes, you can. You can also use any other mantra from the Chandi.

  156. Benefits of Chanting Chandi

  157. What makes chanting the Chandi a more powerful practice than say for example chanting the Bhagavad Gita?

  158. All the scriptures are powerful. But there are special qualities in the Chandi. The meaning, watching all of our negativities being destroyed; watching Her come to life in Chapter Two; the rishis experiencing extreme joy; in Chapter Four She asks for what we are praying; again in Chapters Eleven and Chapter Thirteen She grants boons; in Chapter Five we say that we are doing the same sadhana as the Gods performed and You made them divine, why will You not do the same for us?

    There are too many reasons to write in an email.

    Anger and Passion

  159. Since Kali, also known as Chamunda, destroys anger and passion, is the worship of Kali designed for those that have a problem with anger and passion?

    First, everyone has darkness of some kind. Kali takes away the Darkness. Therefore, it is appropriate for everyone to worship her. Second, Her bija mantra and her entire worship as well as the entire Chandi is effective in combatting anger and passion.

  160. Anger of the Goddess

  161. In Chapter 3 of the Chandi in some verses, the Goddess is visualized as calm, aloof, and wielding her many weapons with ease. In other verses, she is described as so angry, furious, she is even stuttering. Swamiji, what is the meaning of this anger? Is the Goddess beyond anger, or is that phrase "beyond anger" not useful, or misunderstood? Is there righteous anger? Or does this mean, we can galvanize our own purpose by summoning a force that is akin to anger but without the negative subjectivity and karmic results usually associated with anger? Thank you, for helping me to understand the intent here.

    When we reach to Her status then we will understand what is Her anger. I believe it is more akin to forceful, determined, undeterred, not willing to compromise with negativity.

  162. Kali in Chandi Path

  163. Is Kali's primary role in the Chandi that of supporting Durga as the other Goddesses do or does She have any additional role. Does Kali have any direct relationship to Durga? I had previously thought of them as two sides of the same coin, so to speak, and I am thinking now that this was erroneous. Thank you for your willingness to help us understand better.

    I like the two sides of the same coin analogy; Kali is the dark side, while Durga is the bright side.

  164. Can you refer me to any specific part of the Chandi where Kali is mentioned or even, from your own storehouse, say a word or two about Kali's role in the Chandi and her relationship to Durga?

    Kali is specifically the deity of Chapter One. She appears in chapter 5, 6, 7, and prominently in 8.

  165. Bija Mantras for each Episode

  166. Why is the bija for Episode 1 which is devoted to Maha Kali "aim" which is the bija of Saraswati? Similarly, why is the bija for Episode 3 which is devoted to Maha Saraswati "klim" which is bija of Kali?

    Aim is the bija of creation, new beginnings, just as Klim is the bija of transformation, culmination. Our spiritual growth begins with the balance of Too Much and Too Little and culminates with the demise of Self-Conceit and Self-Deprecation.

  167. Symbolic meaning of Grabbing Her by the hair

  168. When Self-conceit gives orders to His generals to bring Divine Mother he asks them to grab Her by the hair (e.g. Verse 23, chapter 6). I heard that Shree Maa has said that grabbing Her by the hair means that we drag Mother into the world. I was not sure what exactly this means. Please can you help me understand?

    Every time we submerge consciousness in worldliness, we are grabbing Her by the hair and forcing Her to witness actions performed with attachment. It is only when we act without selfishness, that we allow Her to be true to Her own Nature.

  169. What does it mean to defeat Her in battle

  170. In chapter 5, verse 120, Divine Mother says, "Whoever will defeat me in the battle, whoever will lose his self-conceit in me, whoever will see all the force in the universe in me, he will be my husband." My understanding of the second and third clauses are that we lose our ego, our identity in Mother and we see God in all beings. What does it mean to defeat Her in battle?

    To make Her stop dancing and sit still. She dances according to Her Nature. If through the force of our sankalpa, we can make Her stop dancing, then we emerge victorious in the battle.

  171. Feelings about Violent Battle Scenes

  172. I am committed to living a life of non-violence. While I love reading the Chandi, I struggle with the battle scenes. I understand that She must fight to defeat all those terrible thoughts, and I'm very grateful that She does, but I find it difficult to read these parts of the Chandi. Swamiji, do you have any suggestions regarding how I can better reconcile this challenge?

    When the body is infected with disease, don't we attack the germs with antibiotics? That does not make us violent individuals. When our minds are infected with spiritual obstacles, we must use whatever means to become free, even if it means destroying the obstructions. That in no way defines us as violent individuals. In fact, it is quite the opposite: because we are fighting the battle within ourselves, we are peaceful with regard to the rest of creation.

  173. Weapons of the Goddess

  174. Is there any link between the Asura and the weapon that is used to slay the Asura.? For example, Devoid of Clear Understanding is killed by the Pike of the Goddess, and you have translated the Pike as the pike of attention or concentration (in Chapter 1).

    I have never explored from that point of view. It is certainly possible to find correlation, but is it not more of an intellectual exercise? I think it is sufficient to know that all of the divine weapons are used to combat all the negative qualities, and pay attention to watching their destruction, rather than analyzing the method.

  175. Ego

  176. Why is the ego often represented as a buffalo, and why is the Goddess shown traveling on a lion?

    The buffalo is the most stubborn animal. He will only go his own way. So the Ego rides on stubbornness. The lion is the king of animals, and represents Dharma, which is the conveyance of Divinity.

  177. Matrikas

  178. Who are the Matrikas?

    • Brahmani: Creative Energy
    • Narayani: Exposer of Consciousness
    • Maheshvari: Energy of the Seer of All
    • Chamunda: Slayer of Passion and Meanness
    • Kaumari: The Ever Pure One
    • Aparajita: The Unconquerable
    • Vaarahi: The Boar of Sacrifice
    • Narasimhi: The Man-Lion of Courage

  179. Bija, Shakti, Kilakam

  180. Could you explain more about the inter-relationship between the seed, shakti, and pin?

    Consciousness is in the seed, Nature is the energy, and the Cause of the subtle body (the mind) moving into perfect union in that idea is the pin.

  181. Scriptural Sources for Swamiji's Translation

  182. I have an edition of the Devi Mahatmyam, edited by Sri Ramakrishna Math, Madras. I compared their translation of certain verses with Swamiji's translation and I discovered an astonishing phenomenon. Where the Math's edition puts only the names of gods and their attributes, Swamiji's translates the god's and their attribute's names, gives them meaning for a western audience.

    While I can appreciate what Swamiji is doing here, I do wonder on what authority, on what scriptural sources he is doing this. On what grounds can he translate Surya into "authority of the Light of Wisdom", Indra as ""the rule of the pure" and so on? Is this his own interpretation? And from what sources does the explanation of the diverse attributes of the Goddess derive?

    Thank you for the wonderful discussion. Not only are the meanings of the names and attributes illuminated by many years of sadhana, but they have been translated from the tradition of the succession of disciples from our lineage of the Saraswati Sampradaya. In addition, there are Sanskrit scriptural references for each interpretation, as close as I could come in English.

    I certainly respect Swami Jagishwarananda's work. My good friend, Swami Birananda, was a direct disciple of Jagishwarananda, and we often performed Navaratri together on the bank of the Bakreswar River in the village of Tattipara. We performed the puja, homa and Chandi Path regularly, and talked about how to explain it into English.

  183. Chandi Path and Markandeya Purana

  184. The Chandi Path is a section of a larger body of work called the Markendeya Purana containing 18,000 verses. Are there other parts of the this Purana that are used for sadhana and are their themes and styles and content similar to the 700 verses of the Chandi Path?

    Rarely are the other parts of Markendeya Purana used for sadhana. They are used for background information, understanding the context, the players, and adding color to the main message: LOVE DIVINE MOTHER!

  185. Title of Chandi Path

  186. On the title page of Chandi Path, it says that it is also known as The Devi Mahatmyam and The Durga Saptasati. Is there a reason why there are 3 names for the same scripture? Would there be any difference in the contents in a book with one of the other names?

    The scripture became known by different names in different regions. It is the same scripture. The versions differ, and I am just sending a book to print about the reason for the different versions.

  187. Students of Chandi Path

  188. Are the devotees that study/chant the Chandi known as Srividya Upasakas?

    Maybe yes maybe no. Certainly if they want that title, they are entitled to use it, because they are performing their disciplines using the knowledge of the highest respect. But Srividya generally applies to a specific branch of knowledge which includes worship with the 15 or 16 syllable mantras. Therefore, it is a very subjective issue.

Submitted by webdev on Thu, 2007-09-27 15:52.

Bhagavad Gita: Q&A

~~OM~~

  1. Introduction to Dvitiya Mahatmyam
  2. Chapter 4
  3. Chapter 5
  4. Chapter 6
  5. Chapter 9
    Kurukshetra

  1. Is there a parallel between the battlefield of Kurukshetra and what we experience in modern everyday life?

    Watch and hear Swamiji's answer by clicking on this icon: .

  2. Studying the Gita

  3. How much Gita should we study?

    Watch and hear Swamiji's answer by clicking on this icon: .

  4. Interpreting the Gita

  5. Is it correct that Satyavati represents primordial matter?

    Watch and hear Swamiji's answer by clicking on this icon: .

  6. Balancing Sadhana and worldly duties

  7. In verse 17 and 18 (of Chapter 3) it seems that one who is absorbed in God is no longer enjoined to act. If we wish to do intense sadhana and tapasya must we continue to perform worldly duties?

    Watch and hear Swamiji's answer by clicking on this icon: .

  8. How did we become deluded?

  9. Verse 6 in Chapter 10 seems to say that we are all descended from great seers and Manus. So how did we now become so deluded and ignorant?

    Watch and hear Swamiji's answer by clicking on this icon: .

  10. Bhagavad Gita and Chandi Path

  11. What is the relationship between the Bhagavad Gita and the Chandi Path?

    Watch and hear Swamiji's answer by clicking on this icon: .

Submitted by webdev on Fri, 2007-08-17 16:05.